Rihanna's latest instalment, 'Talk That Talk ' has indeed accumulated a range of evaluative discord, from one extreme to another. It seems that we are amid a public dichotomy "it's bloody thrilling! Not surprisingly, many love it and have their faith, certainly revived. But more intriguingly, plenty consider it to be the worst album she has ever assembled! For me individually, I believe the record isn't her best exhibition, lacking the entertaining riffs of former conquests, i.e. 'Rated R'; none-the-bleedin'-less, I do believe it ensues onto an innovative bi-lateral quite cunningly.
I was much expecting her new single, 'We Found Love ' (Ft Calvin Harris), to something unmarked and memorable, however once facing the music, I found myself dissatisfied by its monotony. The single was rather tasteless, bizarrely domesticated and obedient... Let me explain. Maybe I was intuiting something foreign and unfamiliar "something you'd most likely imagine from a Barbadian/Scottish company - however this wasn't the musical trialling I wished for, rather like the two states allied and its sour litter: a battered-mango "wide of the mark. I wouldn't be in any avid scurry to get this single, and I splash out on just about almost all of Rihanna's collection. The hype should definitely decline as honestly, this collusion was feeble.
As a fan of Rihanna's music, it is sort of hard to admit that she has made a mixture between a median and a bad album. It seems like they've just chucked all the surplus songs from her last album together, to make a newish record. I say this only because it feels as if there has not been any expansion, change or maturity in sound. Actually it's as if she has completely transgressed, like there wasn't any genuine inspiration or little legitimacy to the overall narrative. Illustratively, there are some pretty terrible songs on this record including 'Birthday Cake ' and 'Cockiness (Like It) '. Both of these bluntly sound like a muddle, the beats are all over the block and both actually should be chopped or at the very least skipped thru at the midpoint. I feel as if the production simply frisbee'd 1 or 2 beats around and crossed their company fingers that it would sound at least, listenable (profit-making).
However I shall concede, not all is abominable. Title track, 'Talk That Talk ' (Ft Jay Z) is the desperately needed redemption I certainly took respite from. The archetypal Rihanna and Jay Z escapades are what you'd be expecting, enhanced by its fortified sound, class production and Rihanna's echoing vocals. 'Roc Me Out ', 'Drunk On Love ' and 'Fool In Love ', I would say are the more middle-weight affairs, amassing foreseeable amiability with jovial tonality. Frankly, this Bajan package of gorgeousness, has a vocal still startling and the album duly pictures this; despite almost all of the tracks holding a pretty common rhythm and fairly unmemorable melodies. Nonetheless, it definitely does feel as if Rihanna has been led astray as it seems hasty and rather sporadic. Maybe she should have waited a little while longer before she brought this one out.
Or maybe now may be the time for Rihanna to leap off the musical treadmill, put those lovely feet up and get the tea rolling. This album certainly got the cynics speaking '...That Talk ', however the previous success of 'Loud ', it most certainly was not. Apparently, she compromised that ornate language which formerly registered; BUT an amalgam of rebellious sexual potential; unfailing vivacity wonderfully dovetailed with shining talent, it sure as hell is!
I was much expecting her new single, 'We Found Love ' (Ft Calvin Harris), to something unmarked and memorable, however once facing the music, I found myself dissatisfied by its monotony. The single was rather tasteless, bizarrely domesticated and obedient... Let me explain. Maybe I was intuiting something foreign and unfamiliar "something you'd most likely imagine from a Barbadian/Scottish company - however this wasn't the musical trialling I wished for, rather like the two states allied and its sour litter: a battered-mango "wide of the mark. I wouldn't be in any avid scurry to get this single, and I splash out on just about almost all of Rihanna's collection. The hype should definitely decline as honestly, this collusion was feeble.
As a fan of Rihanna's music, it is sort of hard to admit that she has made a mixture between a median and a bad album. It seems like they've just chucked all the surplus songs from her last album together, to make a newish record. I say this only because it feels as if there has not been any expansion, change or maturity in sound. Actually it's as if she has completely transgressed, like there wasn't any genuine inspiration or little legitimacy to the overall narrative. Illustratively, there are some pretty terrible songs on this record including 'Birthday Cake ' and 'Cockiness (Like It) '. Both of these bluntly sound like a muddle, the beats are all over the block and both actually should be chopped or at the very least skipped thru at the midpoint. I feel as if the production simply frisbee'd 1 or 2 beats around and crossed their company fingers that it would sound at least, listenable (profit-making).
However I shall concede, not all is abominable. Title track, 'Talk That Talk ' (Ft Jay Z) is the desperately needed redemption I certainly took respite from. The archetypal Rihanna and Jay Z escapades are what you'd be expecting, enhanced by its fortified sound, class production and Rihanna's echoing vocals. 'Roc Me Out ', 'Drunk On Love ' and 'Fool In Love ', I would say are the more middle-weight affairs, amassing foreseeable amiability with jovial tonality. Frankly, this Bajan package of gorgeousness, has a vocal still startling and the album duly pictures this; despite almost all of the tracks holding a pretty common rhythm and fairly unmemorable melodies. Nonetheless, it definitely does feel as if Rihanna has been led astray as it seems hasty and rather sporadic. Maybe she should have waited a little while longer before she brought this one out.
Or maybe now may be the time for Rihanna to leap off the musical treadmill, put those lovely feet up and get the tea rolling. This album certainly got the cynics speaking '...That Talk ', however the previous success of 'Loud ', it most certainly was not. Apparently, she compromised that ornate language which formerly registered; BUT an amalgam of rebellious sexual potential; unfailing vivacity wonderfully dovetailed with shining talent, it sure as hell is!
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