You know that you need to learn guitar scales so that your guitar playing, whether you play rock guitar or jazz guitar or even Country guitar, improves dramatically. You want to sound fluid and creative, not formulaic; you won't want to play the "same ol' same ol'". When you learn guitar scales you'll take your guitar playing even higher with the learning of modes. Modes are simply variations upon guitar scales that, when played in certain ways, cause the music to take some dramatic turns. If you learn guitar scales as well as modes, you will be far ahead of those who only learn one, or don't learn any, of these things.
One of the guitar modes that you need to learn is the Locrian Mode. The Locrian Mode is very similar to the Phrygian Mode, which is yet another guitar mode. However, when you play in the Locrian Mode, you play the Phrygian Mode except that you play one note differently. In addition, especially for beginner and intermediate guitar players, it's important to note that you will start and end your solo on a different note than you would if you were playing in Phrygian.
If you play in the Locrian Mode, you take the "key scale" and start and end a solo or break on the 7th note, rather than the root note. So let's say that you're playing a song in the key of D major. To play a solo in the Locrian Mode, you will begin and end that solo on the note of C. This doesn't mean that it has to be the exact same C note; you can start on one C and end on another one that is two octaves higher, for instance. What matters is the fact of the C notes and their placement at the very start and very end of the solo.
Playing in B Locrian means playing something different than the B major scale. It also means playing in C in a different way than you would if you just were going to use the C major or its relative minor (A minor) scale for a solo.
Advanced guitar players know the great importance of understanding the intervalic relationship between a given mode's notes. The intervals for the Locrian Mode take this form Root, flatted 2nd , flatted 3rd ,major 4th ,flatted 5th , flatted 6th, flatted 7th . So, if you played C Locrian, which is in the key of D, you would play C, D, E, F, G, A, B, C'.
So let's be perfectly clear if you played C Locrian, you would be playing in the key of D but with the "feeling" of a C major scale. You would "think in" the series C, D, E, F, G, A, B, C'. Those are the notes that you would draw upon.
Imagine playing the F Locrian mode (or "scale") against a chord progression in G major. You would give a very different feel to the music than you would simply by playing G major "straight".
In reality, the Locrian Mode doesn't get used that much by guitar players. The Locrian Mode may sound too much like the Phrygian Mode, which is one of the most popular guitar modes. Other guitar players think that the Locrian Mode sounds too suggestive of the "straight" key scale.
For the discerning guitar player who wants to learn guitar scales, the Locrian Mode allows for some very pronounced contrast between the solo and the chord progression. When you learn guitar scales, give yourself a great tool with the learning of the Locrian Mode.
One of the guitar modes that you need to learn is the Locrian Mode. The Locrian Mode is very similar to the Phrygian Mode, which is yet another guitar mode. However, when you play in the Locrian Mode, you play the Phrygian Mode except that you play one note differently. In addition, especially for beginner and intermediate guitar players, it's important to note that you will start and end your solo on a different note than you would if you were playing in Phrygian.
If you play in the Locrian Mode, you take the "key scale" and start and end a solo or break on the 7th note, rather than the root note. So let's say that you're playing a song in the key of D major. To play a solo in the Locrian Mode, you will begin and end that solo on the note of C. This doesn't mean that it has to be the exact same C note; you can start on one C and end on another one that is two octaves higher, for instance. What matters is the fact of the C notes and their placement at the very start and very end of the solo.
Playing in B Locrian means playing something different than the B major scale. It also means playing in C in a different way than you would if you just were going to use the C major or its relative minor (A minor) scale for a solo.
Advanced guitar players know the great importance of understanding the intervalic relationship between a given mode's notes. The intervals for the Locrian Mode take this form Root, flatted 2nd , flatted 3rd ,major 4th ,flatted 5th , flatted 6th, flatted 7th . So, if you played C Locrian, which is in the key of D, you would play C, D, E, F, G, A, B, C'.
So let's be perfectly clear if you played C Locrian, you would be playing in the key of D but with the "feeling" of a C major scale. You would "think in" the series C, D, E, F, G, A, B, C'. Those are the notes that you would draw upon.
Imagine playing the F Locrian mode (or "scale") against a chord progression in G major. You would give a very different feel to the music than you would simply by playing G major "straight".
In reality, the Locrian Mode doesn't get used that much by guitar players. The Locrian Mode may sound too much like the Phrygian Mode, which is one of the most popular guitar modes. Other guitar players think that the Locrian Mode sounds too suggestive of the "straight" key scale.
For the discerning guitar player who wants to learn guitar scales, the Locrian Mode allows for some very pronounced contrast between the solo and the chord progression. When you learn guitar scales, give yourself a great tool with the learning of the Locrian Mode.
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